Julija Zaharijević (b. 1991, Belgrade; based in Berlin) works primarily in large-scale figurative painting. Her paintings operate on the edge between seduction and unease—investigating how images can attract and disturb at once. She draws on human figures, everyday objects, and unfamiliar forms, often with art historical references, examining the gap between an object’s conceptual significance and its physical appearance.
Engaging the decorative, ornamental, and the notion of beauty, her paintings conceal something unsettling, suggesting layered meanings. She is interested in how the political survives inside an image, and whether it can remain present without being legible. Her compositions often orbit a center, or refuse one, challenging the stability of images and the structures through which they are interpreted.
Upcoming
Education
- 2024–2025 BPA// Berlin program for artists
- 2014–2020 Mag.art, Akademie der bildenden Künste Vienna
- 2013–2014 Beaux-arts de Paris, école nationale superièure, Paris
- 2010–2013 BFA, Fakultet likovnih umetnosti, Belgrade
Solo and Duo Exhibitions
- 2026 Admission, Medium P, Berlin
- 2025 Thriller, with Behin Roozbeh, Autokomanda, Belgrade
- 2025 viennacontemporary, Autokomanda, shared booth with dépendance, Vienna
- 2024 miart, Eugster || Belgrade, shared booth with east contemporary, Milan
- 2023 Structure, with Tamara Grčić, Eugster || Belgrade, Belgrade
- 2023 LISTE, booth with Doruntina Kastrati, with Eugster || Belgrade, Basel
- 2022 Modern Painting, BBBerlin, Berlin
- 2022 viennacontemporary, Eugster || Belgrade, Vienna
- 2021 Oh no! The View, Georg Kargl PERMANENT, Vienna
- 2021 Silver Lane, Alienze, Vienna
- 2018 Bounce, Muhry, Hamburg
Selected Group Exhibitions
- 2026 Turnings of Late, Hours Space, Berlin
- 2025 BPA// Exhibition 2025 A place never fully held, KW Institute for Contemporary Art, Berlin
- 2025 Soggiorno, Noah Klink hosted by Tanya Leighton, Berlin
- 2024 INVERSION-CONVERSION, invited by Will Fredo, BPA// Raum, Berlin
- 2024 By the Means at Hand, Vlatka Horvat at the Croatian Pavilion, Venice Biennale, Venice
- 2023 Stranger Danger, curated by Natalija Paunić, Trotoar galerija, Zagreb
- 2023 Über das Neue, Part 2, Belvedere 21, Vienna
- 2022 Jahresgaben, Kevin Space, Vienna
- 2022 Der Einfluss des Raumes auf die Reichweite des Verkehrs, Rinde am Rhein, Düsseldorf
- 2022 hyper (hyper), Callirrhoë, Athens
- 2022 SYSTEMA, with Pina, Marseille
- 2022 Make room in your mouth, curated by Olamiju Fajemisin, WAF Gallery, Vienna
- 2022 Burn The Groves, Löwengasse, Cologne
- 2020 We need more than one term for these big things, curated by Melanie Ohnemus, Universitätsgalerie der Angewandten im Heiligenkreuzerhof, Vienna
- 2019 Volcanoes, LIFE SPORT, Athens
- 2019 Nome d’us, curated by Sanna Helena Berger, Shore, Vienna
- 2019 Mundane, curated by Natalija Paunić, Eugster || Belgrade, Belgrade
Public Collections
- Artothek der Zentral- und Landesbibliothek Berlin
- Artothek des n.b.k. Berlin
- Artothek of the Austrian federal government at Belvedere 21
- City of Vienna Collection
Residencies, Prizes and More
- 2025 Stiftung KUNSTFONDS_Stipendium
- 2024 Theodor Körner Fond Prize
- 2023 BMKOES Artist Residency Istanbul
- 2022 Mentoring Program, Academy of Fine Arts Vienna
Curatorial Project
- 2016–2020 Offspace Gärtnergasse, Vienna
Selected Press
- 2026 Der Abschlussball als Vexierbild, Hilka Dirks for TAZ, Review
- 2024 Voids of Reality, Katharina Hausladen for Conceptual Fine Arts, Profile
- 2023 Tamara Grčić, Julija Zaharijević “Structure”, Mousse Magazine
- 2023 Tamara Grčić, Julija Zaharijević “Structure”, East Topics
- 2023 Highlights der Liste Art Fair Basel 2023, Gallery Talk
- 2019 Interview with Pia-Marie Remmers, PW Magazine